Elizabeth Hamilton

In We Burn Daylight, Bret Anthony Johnston tells a fictional story similar to 1993 Waco siege to engage questions about religious freedom, state-sanctioned violence and the blurry line between church and cult.

Catherine Ricketts' The Mother Artist: Portraits of Ambition, Limitation, and Creativity is an excavation of the many questions, frustrations and, ultimately, gifts of a culture that welcomes mothers who make art. 

Book review: Marilynne Robinson's generous vision of God suffuses Reading Genesis, casting her gaze beyond religious platitudes and secular objections and insisting on the fundamental goodness of God and us humans.

The new Netflix miniseries "All the Light We Cannot See," based on the Pulitzer Prize winning novel by Anthony Doerr, explores themes of darkness and light.

In "A Million Miles Away," we watch José Hernández go from a childhood spent working beside his family of migrant farmers to becoming one of the few Americans chosen to participate in NASA's space program. 

We live in a world that pushes us away from one another. "Shooting Stars" reminds us to fight for what really matters at the end of the day — or, we might say, at the end of the game: the people we're called to love.

From the creators of "The Chosen" comes the big screen story of Abraham, Sarah and Isaac, with enough Christ allusions sprinkled in to make for worthy Easter weekend viewing.

"C.S. Lewis on Stage: Further Up & Further In" is a one-man play that aims to tell the story of how Lewis went from a respected, little-known scholar to one of the 20th century's most beloved Christian thinkers.