Young Voices

At its best, modern art asks us to confront the meaning of art itself: what belongs in museums, what doesn't and whether art's power over us is well-earned. Such is the case with "Annual Light" (1966), a work by Alighiero Boetti currently on display as part of a retrospective of the artist at the Museum of Modern Art in New York. Boetti's light is a wooden box with a bare bulb inside it; it is said to illuminate for 11 seconds at random once a year. Reportedly, no one has ever seen the work light up.

After three months at sea, four Carmelite sisters stepped onto shore in Maryland 222 years ago this month, prepared to establish the first order of nuns in the 13 colonies.

I sat with a mixture of awe and disgust as I read a Huffington Post article about obesity in the Latino community. The opening sentence, "Feel bad telling your gordito that he can only have one helping of flan?", was so brazenly derogatory that I could barely believe a major publication would be willing to attach its name to it.

My sisters and I shared many funny times listening to the combination of words and phrases our dad would manage to put together. In fact, we thought we easily could combine all his sayings into a book that would, at least for us, be pretty hysterical. He is an eager learner, active do-er and impatient wait-er. This combined with his matter-of-fact certainty genuinely cultivated a fondness for his company and for his insights.

My father is both happy-go-lucky and masipag, a Tagalog word meaning joyfully hard-working, generous and diligent. His most common phrase when asked about whether or not he would do something or try something is, "What da heck."

This courage to try new things and to generously do everything to make things work guides my own ethic and continues to shape how I discern.

"Wow, girl, that person must be the best in their field. You get to work with the crop of the cream!"

"If you just put it in your mind, you can overcome your sickness. Just tell your body it's not sick."

This is the third in a three-part series examining the theological ideas of Søren Kierkegaard through the work of three contemporary church critics. Read the first part and the second part.

In a lecture to a group of teenagers, theologian Stanley Hauerwas retells one of Søren Kierkegaard's last parables to illustrate how most Christians think of the resurrection. In the story, a prince is one day riding through his fields when he sees a beautiful peasant girl. Being of noble birth, he is careful not to overwhelm the girl with his power and riches and decides to masquerade as a peasant in order to fairly win her love.